Static Shot

Static Shot

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Tue. 17 October 2023 — 20h

Nantes - Le Lieu Unique

Wed. 18 October 2023 — 20h

Nantes - Le Lieu Unique

Fri. 15 November 2024 — 20h

Espagne - Madrid - Condeduque - Centre de Culture Contemporaine

Sat. 16 November 2024 — 20h

Espagne - Madrid - Condeduque - Centre de Culture Contemporaine

Thu. 28 November 2024 — 20h

Maubeuge - La Luna

Tue. 03 December 2024 — 20h

Forbach - Le Carreau Scène nationale

Wed. 15 January 2025 — 19h30

Lyon - Maison de la Danse

Thu. 16 January 2025 — 20h30

Lyon - Maison de la Danse

Fri. 17 January 2025 — 20h30

Lyon - Maison de la Danse

Sat. 18 January 2025 — 20h30

Lyon - Maison de la Danse

Tue. 28 January 2025 — 20h30

Alès - Le Cratère Scène nationale

Wed. 29 January 2025 — 20h30

Alès - Le Cratère Scène nationale

Sat. 01 February 2025 — 20h30

Suresnes - Théâtre de Suresnes Jean Vilar

Sun. 02 February 2025 — 15h

Suresnes - Théâtre de Suresnes Jean Vilar

Wed. 05 February 2025 — 20h30

Douai - Tandem Scène nationale - Hippodrome de Douai

Thu. 06 February 2025 — 20h30

Douai - Tandem Scène nationale - Hippodrome de Douai

Thu. 13 February 2025 — 20h30

La Rochelle - La Coursive Scène nationale

Fri. 14 February 2025 — 20h30

La Rochelle - La Coursive Scène nationale

Thu. 10 April 2025 — 20h

Echirolles - La Rampe, Scène conventionnée danse et musiques

Mon. 05 May 2025 — 20h

Paris - Chaillot - Théâtre national de la Danse / Hors les murs : Grande Halle de La Villette

Tue. 06 May 2025 — 20h

Paris - Chaillot - Théâtre national de la Danse / Hors les murs : Grande Halle de La Villette

Wed. 07 May 2025 — 19h55

Paris - Chaillot - Théâtre national de la Danse / Hors les murs : Grande Halle de La Villette

Thu. 05 June 2025 — 20h

Metz - Cité Musicale - L'Arsenal

Sat. 31 May 2025 — 20h

Autriche - Bregence - Bregenzer Frühling

Fri. 21 February 2025 — 21h

Portugal - Lisbonne - Centre Culturel de Belém

Sat. 22 February 2025 — 19h

Portugal - Lisbonne - Centre Culturel de Belém

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Premiered on November 23, 2021 at the Scène national d'Orléans

25 MINUTES
23 DANCERS

Production CCN - Ballet de Lorraine in coproduction with the CCN d'Orléans

Choreography
Maud Le Pladec
Choreographic assistant
Régis Badel
Music
Chloé Thévenin and Pete Harden
Costume design
Christelle Kocher – KOCHÉ
Costume assistants
Laure Mahéo and Carles Urraca Serra - KOCHÉ
Lighting design
Eric Soyer
Damaturgy
Baudouin Woehl
Choreography
Maud Le Pladec
Choreographic assistant
Régis Badel
Music
Chloé Thévenin and Pete Harden
Costume design
Christelle Kocher – KOCHÉ
Costume assistants
Laure Mahéo and Carles Urraca Serra - KOCHÉ
Lighting design
Eric Soyer
Damaturgy
Baudouin Woehl

Tue. 17 October 2023 — 20h

Wed. 18 October 2023 — 20h

Fri. 15 November 2024 — 20h

Sat. 16 November 2024 — 20h

Thu. 28 November 2024 — 20h

Tue. 03 December 2024 — 20h

Wed. 15 January 2025 — 19h30

Thu. 16 January 2025 — 20h30

Fri. 17 January 2025 — 20h30

Sat. 18 January 2025 — 20h30

Tue. 28 January 2025 — 20h30

Wed. 29 January 2025 — 20h30

Sat. 01 February 2025 — 20h30

Sun. 02 February 2025 — 15h

Wed. 05 February 2025 — 20h30

Thu. 06 February 2025 — 20h30

Thu. 13 February 2025 — 20h30

Fri. 14 February 2025 — 20h30

Thu. 10 April 2025 — 20h

Mon. 05 May 2025 — 20h

Tue. 06 May 2025 — 20h

Wed. 07 May 2025 — 19h55

Thu. 05 June 2025 — 20h

Sat. 31 May 2025 — 20h

Fri. 21 February 2025 — 21h

Sat. 22 February 2025 — 19h

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“I envisage a very specific scenic device, situated between choreographic piece, scenic installation and cinematographic device. The dramaturgy of the piece, conceived as a block of bodies, images and sounds, will have no beginning, middle or end. Like a permanent climax, the group of dancers will together maintain this peak moment, energy always needing to be held at its zenith. So how to envision the questions of shared tension, ecstasy, and jouissance? And what about relaxation, breath, or loss?  What if pleasure becomes a motive for tension? The piece’s dynamics – ranging from mezzo forte to fortississimo – will make this piece a permanent crescendo, inviting the spectators to participate in never-ending ecstasy.”

Maud Le Pladec

Materials / cintematographic inspirations
Parris Goebel - the Royal Family, megacrew, Busby Berkeley - Varsity Show – Finale, Tiller Girls of London in 1958 - Clip de Demon, You are my high (le baiser), Koché Fall 2019, Koché Summer 2019, Apichatpong - Cemetery of splendor, Arthur Penn - Miracle en Alabama, Andrzej Zulawski - Possession avec Isabelle Adjani, HOMECOMING un film de Beyoncé, Bob Fosse - Chorus line, Maud Le Pladec - Poetry, Alain Corneau - Série noire, Claire Denis - Beau travail, Bob Fosse - Sweet Charity

 

Materials by the dancers of the CCN – Ballet de Lorraine Inès Depauw, Matéo Lagière, Emilie Meeus, Céline Schoefs, Charles Dalerci

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Maud Le Pladec

Following her studies at the National Choreographic Center of Montpellier, Maud Le Pladec danced for choreographers such as Georges Appaix, Loïc Touzé, Mathilde Monnier, Mette Ingvartsen, and Boris Charmatz. In 2010, she premiered her first piece, Professor, first section of a diptych revolving around the music of Fausto Romitelli (Choreographic Revelation Award from the French Union of Theatre, Music and Dance Critics). The second section followed in 2012 with Poetry

In 2013, Maud Le Pladec became laureate of the French Institute’s Hors les Murs program, and conducted research in New York into American post-minimalist music, leading to her pieces Democracy  with TaCtuS Ensemble and Concrete  with the Ictus contemporary music ensemble. In 2015, she began a new cycle of works giving voice to women by co-authoring Hunted with the New York choreographer-performance artist Okwui Okpokwasili. In 2016, she worked with the Paris National Opera for Eliogabalo with stage  director Thomas Jolly, under the musical direction of Leonardo Garcia Alarcon. In parallel, Maud Le Pladec was Associated Artist at La Briqueterie – CDCN du Val de Marne. 

In January 2017, she succeeded Josef Nadj as director of the National Choreographic Center of Orleans, where she has since premiered Borderline with the stage director Guy Cassiers, Je n’ai jamais eu envie de disparaître with the writer Pierre Ducrozet, the solo Moto-Cross,  and Twenty-seven perspectives for the 2018 Festival Montpellier Danse.  In 2021, she presented Static shot with the CCN - Ballet de Lorraine,  and counting stars with you (musiques femmes), a creation dedicated to women composers in the musical heritage. Her next creation for 2022, Silent Legacy, will be a duo between 8-year-old krump prodigy Adeline Kerry Cruz and professional contemporary dancer Audrey Merilus.